Sidonie Faure November 18, 2019 Mandala Coloring Pages
I use mandala coloring as my primary active meditation technique. It’s the easiest way to learn how to meditate along with being inexpensive and fun. Coloring also allows you to open up your creative side and be expressive. Licensed art therapist use techniques like coloring to help patients with stress relief and to deal with anxiety issues.
And each mandala was a perfect snapshot of where I was - emotionally, psychologically, spiritually - at a particular time. That’s why I loved them so much in the moment: they were mirrors of my soul state. That’s when I knew that drawing mandalas can be a perfect tool to liberate our hidden truths, help us know ourselves, and evolve. I began working with my mandalas - reading them, I call it - in much the same way as you can interpret dreams.
You can also find coloring helpful for relaxation, and it may even serve as an alternative to formal meditation. Coloring is a way to quiet the mind, listen inwardly and open up to higher knowledge, healing, and creativity. People of all ages have used this sort of activity instinctively, such as knitting or doodling. When a structured by creative activity occupies our hands and eyes but not of our concentration, it leaves an opening for the creative suspension of the inner mental chatter. During these times we are freed from habitual urges, as well as mental and emotional discord. Science and medicine have also discerned that this state optimizes the self-regenerative powers of our bodies.
You could think of coloring as letting your inner child come out and have a fun time, or you could think of this activity as a form of meditation. Choosing colors and the gentle, repetitive motion of your hand as you bring color to paper helps quiet your mind--bringing your usual rapid-fire thoughts down to a much slower pace.
There was a period of time, for instance, when I always started drawing my mandalas in the center, creating a pattern there. Then I would go to the outside edge, and work in towards that center. But often I could find no way to connect the two. In all my mandalas from this time period, there was a big gap in the drawing, between the core and the outer edge. This confused and frustrated me for months, but eventually I came to see that this was a perfect depiction of my life at that time.
I discovered this secret after years of playing with these "art meditations." It was a natural progression, one that could happen with anyone. Once I figured out how to make nice mandalas, I spent a lot of time looking at them. I was admiring them, of course (a special treat because I am not artistically gifted). But in time I noticed something interesting. I loved each and every mandala...the day I created it. Well, maybe not as briefly as one single day, but there was a definite time-frame, it seems, for each mandala. By the time I felt called to draw a new one, I would now love it the best, and the old ones didn’t seem as wonderful as they had in the beginning. They had faded into mere acceptability, their sparkle gone.